Victoria Kirillova

Revival of metal type metrics used in the old days to engrave in the signage industry.

Bordershine Script is a beautiful and elegant modern calligraphy font. It's perfect for branding, wedding invitations, photography, bloggers, logos, content, greeting cards and more. Bordershine script calligraphy has beautiful uppercase and lowercase letters, numbers, and ligatures.

If you have any questions, before or after purchase, please feel free to get in touch.

Thank You.

Ardila is a lovely calligraphic font with a lot of love swashes. Equipped with lovely alternative letters for beginning and ending and also up to 5 stylistic alternates which makes this letter very beautiful and attractive.

Ardila is suitable for logos, headlines, clothing, branding, quotes, invitations, stationery, wedding design, album covers, business cards, clothing, magazines, posters, and more!

Thank you for your purchase! and hope you have fun with Ardila.

Happy creating!

Rolphie can be your go-to sans-serif, with 16 easy-to-read weights and 10 versions for each weight, and the subtlety of choice that represents. The versions contained in each weight are: Regular; Condensed; Half-Condensed; Expanded; Small Capitals: and their italic counterparts. (At heavier weights particularly it seemed to be justified to have two Condensed versions). Plus there's 20 funky versions with the letters all shook up (that would make a good title for a song), or jumbled around, plus some Shadow, Doubled-Up, College, and other FX versions.  

In total there's 180 variations, giving a comprehensive selection of both standard and funky fonts, and that subtle degree of choice of weight. To make things easier, the weights are put in ascending numerical order from 01 to 16, and the FX versions have been stuck in the 80s and 90s, (like two musicians I know). 

There are grouped packages available for certain weights (which have 10 fonts in them) and the complete family package (180 fonts) which represent better value than the individual fonts, and there's a basic package containing the Normal and Italic versions of all 16 weights (32 fonts). A limit of 5 sub-family packages has been imposed, unfortunately, which precludes a more comprehensive selection. 

To let you know what's in the font that you might otherwise never know about . . .  

With Discretionary Ligatures on, you get special characters if you type  Mc St. Rd. Bd. Ave. c/o No. (p) (P)  - include the full-stop/period.  

With Stylistic Alternates switched on, you get plenty of extra characters - including a WiFi symbol (type Wifi or WiFi) / bullet numbers instead of ordinary numbers / that different U-dieresis / special characters for c/o No. Mc / an upside down ~ / a huge bullet, and different forms for cent, dollar, percent, per-thousand. 

As you'd expect, there's all the accented characters for all Western European scripts using Latin letters, and standard ligatures, plus other Open Type features including Class Kerning, Slashed-Zero, Historical Forms, Sub- and Superscript numbers, fractions for halves, thirds and quarters, Ornamental forms giving bullet numbers, etc. There's also the main mathematical operators, symbols like card-suits and male/female signs and so on, and some more obscure stuff like schwa and O-horn, U-horn - and there's lots more if you can Access All Alternates. Much will depend on what your software recognises.  

The Small Caps versions have (intentionally) lost the ligatures for lower case ff, fi, fj, fl, fr, fu, ffi, ffj, ffl, ffr, ffu. 

The names for the weights are not absolute - we had to make up some names to make them stretch out to sixteen - so rather - see them as relative to each other, being in ascending numerical order by weight.  

An dynamic and strong new Grotesk, Lazare Grotesk is a family of 21 styles. The family comprises seven weight, from UltraThin to Black, with not only italic but with backslanted too, which allows to make fun and cool layout. In the black weight the font is particularly contrasted.

This family contains many OpenType features, such as Alternates, Proportional Figure, Tabular Figures, Old Styles Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals and Fractions, which make that typeface useful in various projects. The fonts have an extended characters set to support Central, Eastern and Western European languages.

Kaytek™ Slab is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design. 

This blend of sturdiness and quirkiness means it’s just as relevant for information-heavy projects, such as annual reports, as it is in more expressive environments. Although first and foremost designed for text, Kaytek Slab’s details shine through in its heavier weights and larger sizes, meaning it also has display potential. 

Every style of the typeface takes up exactly the same amount of space, thanks to the way Radek Łukasiewicz created the design. He based the entire typeface on a single, master set of proportions. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style. 

As well as its roots in the office, Kaytek Slab draws on a little bit more 90s nostalgia. It’s named for the first and only Polish walkman, and embodies the same solid, no-nonsense shapes that made the analogue technology of the era so charming. Kaytek Slab is robust and solid.

Kaytek Slab comes in 12 weights, from Thin to Black Italic, and offers multi-language support. Kaytek Sans is also available. 

Kaytek™ Sans is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design. 

This blend of sturdiness and quirkiness means it’s just as relevant for information-heavy projects, such as annual reports, as it is in more expressive environments. Although first and foremost designed for text, Kaytek Sans’ details shine through in its heavier weights and larger sizes, meaning it also has display potential. 

Every style of the typeface takes up exactly the same amount of space, thanks to the way Radek Łukasiewicz created the design. He based the entire typeface on a single, master set of proportions. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style. 

As well as its roots in the office, Kaytek Sans draws on a little bit more 90s nostalgia. It’s named for the first and only Polish walkman, and embodies the same solid, no-nonsense shapes that made the analogue technology of the era so charming. Just like these early personal music devices, Kaytek Sans is practical, but not clinical, able to work hard while still exuding warmth and personality. It pairs effortlessly with Kaytek Slab, which is a sturdier and more expressive take on the design. 

Kaytek Sans comes in 12 weights, from Thin to Black Italic, and offers multi-language support. <a href= /fonts/fontfont/ff-kayek-slab/">Kaytek Slab</a> is also available.

Presenting a decorative liquid font Plop. It's a splashing funny typeface perfect for authentique lettering composition. To use a bigger splash letter just type a capital letter. Same way the last letter in word will be automatically replaced to correct glyph using OpenType features. Both sides splashes are available for all letters including multilingual characters.

Thank you and have a nice day!

Valmera is an elegant serif font, designed with modern-classy style. Valmera has a high contrast of the strokes that gives the minimalist looks, the serif crafted minimal to makes the letterform more classy. Also, the letter spacing is set wide that looks so clean. It is versatile and luxury!

Available in 3 weights that you can use it for a headline, sub-headline, and body text. Valmera is a great choice for a minimalist design such as book cover, magazine, cards, packaging, quotes, editorial needs, advertising, traveling needs, logos & branding.

Valmera is complete with alternates and swashes on the uppercase letter that possible you can make a typographic text.

Font Features:

• Uppercase
• Lowercase
• Numbers
• Symbols
• Punctuation
• Stylistic alternates
• Swashes
• Accents (28 Languages)

Thank you for visiting and watching, have a nice day!

Scribble Knot is made of simple scribbles with loose knots that make circumferences to the right and left each glyph. It is made so that the stroke is not repeated, leaving a special and original text. Scribble Knot is a font that includes Russian and Greek characters.

Sabatons is a sans and script font duo. The vintage feel is really perfect for you who needs a typeface for logotype, apparel, branding, packaging, advertising and more.

The regular version will give you the clean and solid feel.

The rough version will give you the vintage and aged feel.

This typeface comes in uppercase, lowercase, punctuations, symbols & numerals, a bunch of alternates, ligatures, etc also support multilingual and already PUA encoded. Also with stamp version that will make the fonts more vintage!

How to access opentype feature : http://letterhend.com/tutorials/using-opentype-feature-in-any-software/

We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send us a PM or email us at www.letterhend.com